The concept of the Triumph has always fascinated me. For those who are not familiar with the idea, a Triumph was a special parade accorded to an exceptionally victorious general or emperor in the Roman Empire. Think of it as a parade with a host of side activities, including gladiatorial games and other huge celebrations.

We know a fair bit about some of these Triumphs because the biggest and the best of them also involved a Triumphal arch, like the arch of Constantine pictured below.

These Triumphal Arches contain interesting details which have helped historians reconstruct and interpret some of the events depicted within.

L’Arc de Triomphe, pictured below, is Napoleons version of a Triumphal Arch, an attempt to invoke and connect the French Emperor with the glories of Rome.


Triumphs began as parades and grew into political events. The Roman Triumphs also had religious undertones. The sheer glory of having a massive parade with attendant festivities and a monument in their honour, gave the recipient a platform from which to launch themselves into office, or otherwise further their ambitions. Even Emperors wanted Triumphs, which of course meant that they became more and more elabourate and increasingly common as the Empire ground on.

The idea of a Triumph is rife with potential for fantasy fiction. My next novel in the Domains of the Chosen Series begins with one. I use it mostly because I love events, especially huge public events, but I can see a lot of potential here.

  1. The Triumph as a Character Introduction: What better way to introduce a military leader than with a Triumph? The way said character reacts to the honour provides a writer with a grand opportunity to highlight character traits as well as past accomplishments. Other characters can strut their stuff by reacting to the Triumph. For a villainous character, throwing themselves a Triumph is a great way to highlight their arrogance and recklessness, or their political savvy.
  2. The Triumph as a Plot Device: On the other hand, what better finale to an assassin’s chronicle than to have the main character plan and execute a job where the mark is receiving a Triumph? It would frame a series perfectly, a conniving general or despotic emperor reaches the zenith of their power only to be struck down. A nice transition from hubris to comeuppance in a single scene.
  3. The Triumph as a Backdrop: Finally, for almost any series with an Empire with any sense of ritual and style, a Triumph serves as a wonderful backdrop for a common scene. Thieves can fleece crowds. Any sort of action can start. More importantly it is an opportunity to show off some world-building in a dynamic fashion, since a Triumph recounts recent history.



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